| id |
eprints-40652
|
| recordtype |
eprints
|
| institution |
SOAS, University of London
|
| collection |
SOAS Research Online
|
| language |
English
|
| language_search |
English
|
| description |
The theme of how noise music would deal with the interruption to social life caused by a pandemic has been portrayed in Aoyama Shinji’s movie Eli Eli, Lema Sabachthani? (2005), whose plot is centred on how listening to the purity of noise is able to cure a disease. By relying on noise aesthetic theories and both historical and spiritual insights, this paper will analyse this movie through the eyes of the COVID-19 pandemic, highlighting how the movie’s visual symbolism aims to represent noise as a response to incertitude, underlining how free will is inherent in humans and should be used to improve our society.
|
| format |
Journal Article
|
| author |
Proietti, Luca
|
| author_facet |
Proietti, Luca
|
| authorStr |
Proietti, Luca
|
| author_letter |
Proietti, Luca
|
| title |
Noise As An Act Of Free Will In Aoyama Shinji’s Movie Eli, Eli, Lema Sabachthani?
|
| publisher |
SOAS University of London
|
| publishDate |
2023
|
| url |
https://eprints.soas.ac.uk/40652/
|
