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Since the onset of the COVID-19 pandemic, there has been a significant emphasis on finding solutions to continue academic research in light of closed borders. The inability to travel has prompted academic researchers to reconsider their approaches to fieldwork, with a particular focus on utilizing modern technology effectively to conduct accurate ethnographic research even while working remotely. This has entailed navigating the vast expanse of the internet carefully and acquiring additional tools in the field of ethnography. The primary concerns surrounding conducting remote fieldwork and ensuring the proper selection of data can be summarized by exploring strategies to overcome the challenges imposed by restrictions, as well as leveraging modern technology to study distant cultures without compromising comprehension. Taking into consideration my research on the Japanese experimental noise music scene and the necessity to collect information about the response and activities of these artists at the brink of the pandemic, I challenged my need to collect data by practising through the internet and modern technologies new ways to undertake ethnographic research through distance. In this sense, social networks demonstrated how modern ethnographic methods can be effectively applied to conduct functional social media ethnography, mitigating the challenges brought about by physical distance constraints. Specifically for my research, Reddit’s feature of organizing communities into subtopics named “subreddits” provides me with the possibility to keep in touch with reliable users and information by selecting specific subreddits related to Japan and music topics (e.g. “r/japaneseunderground”, “r/noisemusic”). Along with the existing literature and the constant online research for news related to my project, social media ethnography played a functional role not only in collecting relevant data but also in providing me with more clarity about how to further move my fieldwork once I can travel to Japan. By emphasizing the potential of social media as a valuable avenue to enhance research strategies in times of crisis, this paper aims to consider how online fieldwork created to overcome the impossibility of fieldwork travel can result in a profitable social media ethnography not only to collect data by distance but also to gain appropriate preparation for following in-person fieldwork by relying on our primary findings. By retracing step by step my research project on Japanese noise music, I will explain how undertaking online research provided me with further ideas to achieve more findings and add clarities to my research intent once I had to switch to offline fieldwork.
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