Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star?
Main author: | Kirsch, Griseldis |
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Format: | Journal Article |
Online access: |
Click here to view record |
id |
eprints-31959 |
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recordtype |
eprints |
institution |
SOAS, University of London |
collection |
SOAS Research Online |
language |
English |
language_search |
English |
description |
This paper aims to assess how Ri Kōran came to represent the gender dichotomies of the Japanese Empire. Looking at two propaganda films, Suzhou Nights (1941) and Sayon’s Bell (1943), I will work out how the roles she played are indicative of the gender roles in the Japanese Empire, taking into account her transnational star persona. |
format |
Journal Article |
author |
Kirsch, Griseldis |
author_facet |
Kirsch, Griseldis |
authorStr |
Kirsch, Griseldis |
author_letter |
Kirsch, Griseldis |
title |
Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
publisher |
MDPI |
publishDate |
2019 |
url |
https://eprints.soas.ac.uk/31959/
|