Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star?

Main author: Kirsch, Griseldis
Format: Journal Article           
Online access: Click here to view record


Summary: This paper aims to assess how Ri Kōran came to represent the gender dichotomies of the Japanese Empire. Looking at two propaganda films, Suzhou Nights (1941) and Sayon’s Bell (1943), I will work out how the roles she played are indicative of the gender roles in the Japanese Empire, taking into account her transnational star persona.
Language: English
Published: MDPI 2019