“More Metal than Metal”: Preliminary Reflections on Imagined Genealogies

Main author: Monteanni, Luigi
Format: Journal Article           
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id eprints-39981
recordtype eprints
institution SOAS, University of London
collection SOAS Research Online
language English
language_search English
description Réak is the Bandung subregional variant of the “horse trance dances”: a popular group of animist performances present throughout and outside Indonesia. During theevent, a trance master coordinates a series of spirit possessions with themusical accompaniment of a percussions and shawm ensemble. Like other artforms, including metal, réak is described as ramé(tangled/interesting/noisy) and kasar (coarse) due to its chaotic social ambiance and distorted, fast-paced music. Indeed,due to geographical proximity and the genre’s local relevance, réak is experiencing the influence ofextreme metal. Although most participants avoid hybridity, a conversation istaking place among participants, debating the aesthetic affinities between thegenres, generating a commentary stressing similarity and genealogy. Moreover, while metal bands invite réak troupes to open concerts, réak practitioners, often familiar with the metal community, appropriate the genre’s stylistic elements such as distorted electric guitars and “Metal Distortion” pedals.Despite réak’s and metal’s resistance to assimilation, stylistic musical and extra-musical cross-fertilisation generated a non-synthetic hybridisation that safeguards genre boundaries. The discussion will be useful in laying the foundation to problematise concepts of hybridity that classic analyses of genre do not grasp.
format Journal Article
author Monteanni, Luigi
author_facet Monteanni, Luigi
authorStr Monteanni, Luigi
author_letter Monteanni, Luigi
title “More Metal than Metal”: Preliminary Reflections on Imagined Genealogies
publisher Brief Encounters Postgraduate Journal
publishDate 2023
url https://eprints.soas.ac.uk/39981/