Film as Sound Art: Embracing Love through Extra-diegetic Sound in Nadine Labaki’s Caramel

Main author: Sendra Fernandez, Estrella
Format: Journal Article           
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id eprints-37683
recordtype eprints
institution SOAS, University of London
collection SOAS Research Online
language English
language_search English
description Teaching film often involves un-learning previously taught histories of cinema to find instead ‘herstories’ (Dovey, 2018) and theirstories of cinema. This video essay constitutes an illustrative example of this practice, showing how Lebanese woman-led film Caramel (2007) is taught at SOAS, University of London to emphasise the crucial role of sound in narrative while rethinking the film canon and encouraging critical reflection on the gaze. By creatively compiling encounters between two characters in the film, the video essay shows two women gazing at each other in ways that evoke a romantic relationship, even if their contact stays in the hair salon. While there is barely any dialogue, the extra-diegetic music forges an intimate atmosphere. The decoding of these moments is shaped by the context of censorship in Lebanon, where explicit representations of same-sex relationships could be punished by law. In this video essay, I suggest that sound helps represent a queer gaze between the two characters, subverting both heteronormativity and patriarchal society, and in so doing, it also queers the audience’s gaze. Caramel thus serves as an excellent case study of the possibilities of sound in film, and of film as sound art.
format Journal Article
author Sendra Fernandez, Estrella
author_facet Sendra Fernandez, Estrella
authorStr Sendra Fernandez, Estrella
author_letter Sendra Fernandez, Estrella
title Film as Sound Art: Embracing Love through Extra-diegetic Sound in Nadine Labaki’s Caramel
publisher Open Library of Humanities
publishDate 2022
url https://eprints.soas.ac.uk/37683/