The Stage Belongs to Fat, Frigid Freaks: A Review of Ms Mabel Syrup's Fucking Accepted
Main author: | Krishnakumar, Jo |
---|---|
Format: | Other |
Online access: |
Click here to view record |
id |
eprints-37466 |
---|---|
recordtype |
eprints |
institution |
SOAS, University of London |
collection |
SOAS Research Online |
language |
English |
language_search |
English |
description |
Ms Mabel Syrup is a neo-burlesque dancer/drag queen with three years of experience in the Oxford/London drag/burlesque scene. Her larger body of performance seeks to claim aesthetic joy for fat people, subverts dominant ideas of female sexuality, and provides political commentary using creative and comedic metaphors (for example, a drag-burlesque performance involving a love story of a moth and a lamp or a feminist rendition of “Stacy’s Mom”). She uses performance and social media to navigate her relationship with her body, her journey with PCOS, and her divergence from what is considered “normal female biology.” This review focuses on her performance of a lipsynced
spoken-word piece, Fucking Accepted, that the reviewer watched at the Royal Vauxhall Tavern in London during the final stages of Not Another Drag Competition (NADC) in 2021. |
format |
Other |
author |
Krishnakumar, Jo |
author_facet |
Krishnakumar, Jo |
authorStr |
Krishnakumar, Jo |
author_letter |
Krishnakumar, Jo |
title |
The Stage Belongs to Fat, Frigid Freaks: A Review of Ms Mabel Syrup's Fucking Accepted |
publisher |
Radical Open Access Collective |
publishDate |
2022 |
url |
https://eprints.soas.ac.uk/37466/
|