Icons: Standing out from the Narrative in Theravādin Art

Main author: Thompson, Ashley
Format: Book Chapters           
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id eprints-35285
recordtype eprints
institution SOAS, University of London
collection SOAS Research Online
language English
language_search English
description There is a window at the heights of the monumental structure of fourteenth-century Wat Si Chum at Sukhothai, northern Thailand. The window looks in, not out, over the shoulder of the colossal seated Buddha statue, allowing one to peer down discreetly from the statue’s perspective to worshipers facing it below. One scholarly speculation has it that this was a ventriloquizing mechanism: hidden from view and more or less inside the statue’s head, a monk would have projected the Buddha’s sermons. The system would have served to animate the statue in a novel way which is nonetheless in dialogue with myriad other ways of experiencing the Buddha image and its avatars—from the stupa to the written text—in Theravāda milieu. In other words, Buddha images (are made to) look back and speak back to us. This chapter enters into dialogue with such images, practitioners, and scholars who speak to the notion of the Theravāda “icon.” The goal is to probe, if not necessarily reconcile, emic and etic perspectives, bringing the image alive.
author_additional Berkwitz, Stephen C.
author_additionalStr Berkwitz, Stephen C.
format Book Chapters
author Thompson, Ashley
author_facet Thompson, Ashley
authorStr Thompson, Ashley
author_letter Thompson, Ashley
title Icons: Standing out from the Narrative in Theravādin Art
publisher Routledge
publishDate 2022
url https://eprints.soas.ac.uk/35285/