Chinese Matriarch
After leaving Japan in 1924, Keith studied etching techniques in France. This print was based on a watercolour study from 1919 of a Buddhist nun. The print is striking for its success in using European printing techniques and media to create images in the manner of traditional Japanese printmaking....
| Full title: |
Chinese Matriarch [electronic resource]. |
|---|---|
| Other authors: | Keith, Elizabeth, 1887-1956., 엘리자베스 키스, 1887년-1956년. |
| Format: | Physical Object |
| Language: | English |
| Published: |
1934.
|
| Series: |
SOAS Digital Library.
Artefacts from SOAS Collections. East Asia. China Collection. |
| Subjects: | |
| Online access: |
Electronic Resource Click here to view record |
| Summary: |
After leaving Japan in 1924, Keith studied etching techniques in France. This print was based on a watercolour study from 1919 of a Buddhist nun. The print is striking for its success in using European printing techniques and media to create images in the manner of traditional Japanese printmaking. It was produced in an edition of only 25. (Text by Tom Tomlinson, from the exhibition catalogue: Objects of instruction : treasures of the School of Oriental and African Studies, Anna Contadini, Editor. London : SOAS, University of London, 2007.) |
|---|---|
| Other authors: | Keith, Elizabeth, 1887-1956., 엘리자베스 키스, 1887년-1956년. |
| Language: | English |
| Published: |
1934.
|
| Subjects: | |
| Series: |
SOAS Digital Library.
Artefacts from SOAS Collections. East Asia. China Collection. |