collection |
SOAS Archive
|
id |
CWM.LMS.01.10.2.010
|
recordtype |
archive
|
scb_item_location |
Archive & Special Collections
|
item_location |
Archive & Special Collections
|
scb_loan_type |
Reference only
|
scb_order_with |
CWM/LMS/Home/Photographs/Box 2
|
callnumber |
CWM/LMS/01/10/2/010
|
callnumber_txt |
CWM/LMS/01/10/2/010
|
callnumber-sort |
CWM/LMS/01/10/2/010
|
prefix_number |
010
|
title |
Pages from album of photographs of The Orient in London Exhibition
|
scb_date_creation |
1908
|
scb_level |
File
|
level_sort |
7/Collection/Sub-Collection/Sub-Sub-Collection/Sub-Sub-Sub-Collection/Series/Sub-Series/Sub-Sub-Series/File
|
scb_extent |
32 loose pages from album comprising 97 mounted Printing Out Paper photographic prints and 2 index pages.
|
format |
Archive
|
description |
Groups include: Sunbeam children in Children's Hall; Kaffir Boys; women at Sale of Work stalls; Chinese Guard of Honour. People include: W Omar; portrait of Emperor of China; head and shoulders portrait of New Guinea man. Activities include: Crowd entering Agricultural Hall; Places and buildings include: Interior of mission museum; interior views of The Orient in London Exhibition, held at the Agricultural Hall Islington, London (with Exhibit Numbers in brackets) comprising Literature bookstall (5); Central Africa Court (6); North China Court (15); Central China Court (16); Christian Literature bookstall (19) South China Court (17); talk in North China Court (15); Pagoda; Chinese gateway; Relics Court (30); Mr Elliot talking in South Africa Court (7); Trades scene (37); Pantheon scene (38); Burning Ghat scene (39); Grain shop scene (45); South Sea Islands Court (28); Samoa Court (29); Kalo [Papua new Guinea] scene (53); Toaripi [Papua new Guinea] scene (54); Water Village scene (55); 'Native' Industries scene (56); Papuan scene (57); women making mats scene; Doctor's Shop scene (66); agriculture scene (64); Punishments scene (67); Guest Room scene (68); Fortune Telling scene (69); Gambling scene (70); Chinese Temple in centre of hall; Mongolia scene (76); Mandarin's house scene (75); schoolrooms scene (77); talk in Opium Den; Hankow London Mission Hospital: North India Court (25); South India Court (24); Marine scene (59); Indian gateway; Idolatry scene (85); market scene (83); Types of Malagasy scene (82); Persecution scene (89); Introduction of Christianity (86); Arts and Crafts scene (88); Molopolole [Molepolole, Bechuanaland, now Botswana] & Serowe [Bechuanaland, now Botswana]; First Christian Queen scene [Queen Ranavalona II, Madagascar] (90); Burning idols scene (91); Landing of John Williams scene (94); Women's Industries scene (96); Girl's Schools scene (98); Samoa scene (99); Leulumoega [Upolou, Samoa] scene (100); A Tropical Garden scene (101); Travel scene (112); Weddings scene (113); [David] Livingstone scene (116); Inyati scene (122); Tiger Kloof scene (118); Hope Fountain (121); interior of Indian Temple (47); Tientsin Anglo-Chinese College, and model of; talk in 'Native' methods of treating diseases Court (102); Relics Court (30); Central Africa Court (6); [David] Livingstone Relics; Travancore, India Court (22); All Souls Day scene (74); Mission School (36); West New Guinea Court (31); East New Guinea Court (32); Jamaica; Indian Village; African Village; Niamkolo scene (126); Kawimbe [Northern Rhodesia, now Zambia] scene (125); General view.
|
scb_access_status |
Open
|
scb_copyright |
Copyright probably held by Council for World Mission if still in copyright
|
scb_file_number |
10
|
hierarchy_top_id_raw |
CWM
|
hierarchy_sequence |
CWM.00LMS.0001.0010.002.00010
|