The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival
| Main author: | Ferrari, Rossella |
|---|---|
| Format: | Journal Article |
| Online access: |
Click here to view record |
| id |
eprints-10345 |
|---|---|
| recordtype |
eprints |
| institution |
SOAS, University of London |
| collection |
SOAS Research Online |
| language |
English |
| language_search |
English |
| description |
The multimedia performances of the Architecture Is Art Festival explore the connections of architecture, theatre, and architecture in theatre to voice a number of concerns relating to heritage preservation and technological development, historical memory and current politics. The interrogatives raised by these performances are intimately connected with the ontology of Hong Kong identity and testify to the spirit of traveling—through cultures, media, and disciplines—and the attitude of questioning that has become synonymous with Zuni Icosahedron. |
| format |
Journal Article |
| author |
Ferrari, Rossella |
| author_facet |
Ferrari, Rossella |
| authorStr |
Ferrari, Rossella |
| author_letter |
Ferrari, Rossella |
| title |
The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival |
| publisher |
MIT Press |
| publishDate |
2011 |
| url |
https://eprints.soas.ac.uk/10345/
|