Album of 'Company' paintings of occupations and festivals, Southern India

The style of production and subject-matter of 'Company' albums were adapted to European taste and commonly depicted flora and fauna, local communities, monuments, festivals, deities and craft industries. This set includes many figures thought to be familiar to European travellers and residents in so...

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Order number: CWML MSS 500
Date(s) of creation: c. 1830s-1840s
Level: Item
Format: Archive           

Order number: CWML MSS 500
Summary: The style of production and subject-matter of 'Company' albums were adapted to European taste and commonly depicted flora and fauna, local communities, monuments, festivals, deities and craft industries. This set includes many figures thought to be familiar to European travellers and residents in southern India: a bird-seller, ironsmith, stonecutter, coppersmith, basket-maker, and religious mendicant. There are also images of marriage and funeral ceremonies, and a series of Hindu, Muslim and Catholic festivals and processions. There are also scenes showing buildings in Pondicherry. Watercolour on paper, H22 x W35cm. English captions. Additional reading: 'Painting Processions: The Social and Religious Landscape of Southern India in a 'Company' Album', by Crispin Branfoot (SOAS), in Orientations: The Magazine for Collectors and Connoisseurs of Asian Art, Volume 38, Number 8, November/December 2007
Extent: 1 vol (46 colour plates)
Admin history: William Thompson was born on 23 May 1811. He was appointed to Bellary with the London Missionary Society in 1836, arriving at Madras on 29 Dec 1836, and Bellary on 1 Feb 1837. He married Jessie Wardlaw in 1840. In Aug 1844, he proceeded to Madras to superintend the preparation of the new Kanarese type.After the death of his wife on 23 Feb 1849, he returned to England. Having accepted the Pastorate at Union Chapel, Cape Town, his connection with the Society ceased, but he was appointed Agent for the South African Missions of the Society. He arri ... View more
Custodial history: The album was formerly owned by Rev William Thompson.
Access status: Open
Language: English
Format: Archive