Chinese women's cinema : transnational contexts

Level C CC791.43082 /752541 Available
Full title: Chinese women's cinema : transnational contexts / edited by Lingzhen Wang.
Other authors: Wang, Lingzhen.
Format: Book           

LEADER 03898nam a22004698a 4500
001 777783
003 OCoLC
005 20110816023944.0
008 110321s2011 nyu bq 001 0 eng
035 |a (OCoLC)ocn708243828 
010 |a 2011011872 
020 |a 9780231156752 (pbk. : alk. paper) 
020 |a 9780231156745 (cloth : alk. paper) 
020 |a 023115674X (cloth : alk. paper) 
020 |a 0231156758 (pbk. : alk. paper) 
020 |a 9780231527446 (ebook) 
020 |a 0231527446 (ebook) 
035 |a (OCoLC)708243828 
040 |a DLC  |c DLC 
042 |a pcc 
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050 0 0 |a PN1993.5.C4  |b C4635 2011 
082 0 0 |a CC791.43082  |k /752541 
245 0 0 |a Chinese women's cinema :  |b transnational contexts /  |c edited by Lingzhen Wang. 
260 |a New York :  |b Columbia University Press,  |c 2011. 
300 |a 430 p.  |c 23 cm. 
490 0 |a Film and culture 
504 |a Includes bibliographical references and index. 
504 |a Includes filmography. 
505 0 |a Introduction: transnational feminist reconfiguration of film discourse and women's cinema / Lingzhen Wang -- Female Authorship Negotiated in Different Times, Spaces, and Genres. Socialist Cinema and Female Authorship: Overdetermination and Subjective Revisions in Dong Kena's Small Grass Grows on the Kunlun Mountain (1962) / Lingzhen Wang -- Masochist Men and Normal Women: Tang Shu Shuen and The Arch (1969) / Ching Yau -- Migrating Hearts: The Cultural Geography of Sylvia Chang's Melodrama / Zhen Zhang -- Gendered Voices, Images and Affect. The Voice of History and the Voice of Women: A Study of Huang Shuqin's Women's Films / Xingyang Li ; translated by Thomas Moran -- Post-Taiwan New Cinema Women Directors and Their Films: Auteurs, Images, Language / Yu-Shan Huang and Chun-Chi Wang ; translated by Robin Visser and Thomas Moran -- Affect, Memory, and Trauma Past Tense in Hu Mei's Army Nurse (1985) and Xu Jinglei's Letter from an Unknown Woman (2004) / E. Ann Kaplan -- The Visual Subject and Feminist Cinema. The Encoding of Female Subjectivity: Four Films by China's Fifth-Generation Women Directors / S. Louisa Wei -- From Mao's "Continuous Revolution" to Ning Ying's Perpetual Motion (2005): Sexual Politics, Neoliberalism, and Postmodern China / Gina Marchetti -- Searching for Female Sexuality and Negotiating with Feminism: Li Yu's Film Trilogy / Shuqin Cui -- Female Writing, Performance, and Issues of Cinematic Agency. To Write or to Act, That Is the Question: 1920s to 1930s Shanghai Actress-Writers and the Death of the "New Woman" / Yiman Wang -- Gender, Genre, and Performance in Eileen Chang's Films: Equivocal Contrasts Across the Print-Screen Divide / Yingjin Zhang -- Chu T'ien-wen and the Sotto Voce of Gendered Expression in the Films of Hou Hsiao-Hsien / Christopher Lupke -- To Become an Auteur: The Cinematic Maneuverings of Xu Jinglei / Jingyuan Zhang -- Migration, Diaspora, and Transcultural Practice of Gender and Cinema. In Search of Esther Eng: Border-Crossing Pioneer in Chinese-Language Filmmaking / Kar Law ; translated by Chris Tong -- TransPacific Waves in a Global Sea: Mabel Cheung Yuen-Ting's Cinematic Archive / Staci Ford -- Filming One's Way Home: Clara Law's Letters to Oz / Shiao-Ying Shen. 
650 0 |a Motion pictures  |z China  |x History  |y 20th century. 
650 0 |a Motion pictures  |z Taiwan  |x History  |y 20th century. 
650 0 |a Motion pictures  |z China  |z Hong Kong  |x History  |y 20th century. 
650 0 |a Women motion picture producers and directors  |z China. 
650 0 |a Feminist films  |x History and criticism. 
650 0 |a Women in motion pictures. 
700 1 |a Wang, Lingzhen. 
907 |a .b19027527  |b 120302  |c 110816 
998 |a soas  |b 110816  |c m  |d a  |e -  |f eng  |g nyu  |h 0 
946 |l MAIN  |b 721560  |a CC791.43082 /752541 
947 |l MAIN  |i 1807017215  |z AVAILABLE  |t LONG  |a CC791.43082 /752541  |b 889343