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20180109094631.4 |
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|a 2015944726
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|a 3662465094
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|a 9783662465097
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|a (OCoLC)903283456
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| 040 |
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|a YDXCP
|b eng
|e rda
|c YDXCP
|d OCLCQ
|d BTCTA
|d TXI
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|a LOAA
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4 |
|a N7345.6
|b .W46x 2015
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| 100 |
1 |
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|a Wen, Jiehua,
|e author.
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| 082 |
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|a FF.L
|k /527248
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| 245 |
1 |
0 |
|a Issues of contemporary art and aesthetics in Chinese context /
|c Eva Kit Wah Man.
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| 264 |
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1 |
|a Heidelberg [Germany] :
|b Springer,
|c [2015]
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| 264 |
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4 |
|c ©2015
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| 300 |
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|a xi, 103 pages :
|b color illustrations ;
|c 29 cm.
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 490 |
1 |
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|a Chinese contemporary art series,
|x 2199-9058
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| 504 |
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|a Includes bibliographical references.
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| 505 |
0 |
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|a What is an author? a comparative study of Søren Kierkegaard and Liu Xie on the meanings of writing -- Rethinking art and values : a comparative revelation of the origin of aesthetic experience (from the Neo-Confucian perspectives) -- Contemporary philosophical aesthetics in China : the relation between subject and object -- Some reflections on Confucian aesthetics and its feminist modalities -- Metaphysics, corporeality and visuality : a developmental and comparative review of the discourses on Chinese ink painting -- Experimental painting and painting theories in colonial Hong Kong (1940-1980) : reflections on cultural identity -- The notion of "orientalism" in the modernization movement of Chinese painting of Hong Kong artists in 1960s : the case of Hon Chi-Fun -- Some reflections on "feminist aesthetics" : private/public? personal/political? gender/PostColonial? - the case of women art in PostColonial Hong Kong in 1990s -- A museum of hybridity : the history of the display of art in the public museum of Hong Kong and its implications for cultural identities -- The trinity of "Hong Kong-China-the world" : the battle of cultural identities as a form of hegemony in art in postcolonial Hong Kong (since 1990s) -- Hong Kong pavilion at the Venice Biennale as method : the case of Lee Kit -- Influence of global aesthetics on Chinese aesthetics : the adaptation of Moxie and the case of Dafen Cun.
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| 520 |
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|a This book discusses how Chinaℓ́ℓs transformations in the last century have shaped its arts and its philosophical aesthetics. For instance, how have political, economic and cultural changes shaped its aesthetic developments? Further, how have its long-standing beliefs and traditions clashed with modernizing desires and forces, and how have these changes materialized in artistic manifestations? In addition to answering these questions, this book also brings Chinese philosophical concepts on aesthetics into dialogue with those of the West, making an important contribution to the fields of art, comparative aesthetics and philosophy.
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| 650 |
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0 |
|a Art, Chinese
|y 21st century
|x Themes, motives.
|
| 830 |
|
0 |
|a Chinese contemporary art series.
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| 938 |
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|a YBP Library Services
|b YANK
|n 12274246
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| 938 |
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|a Baker and Taylor
|b BTCP
|n BK0016528623
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| 994 |
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|a C0
|b LOA
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| 946 |
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|l MAIN
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|z AVAILABLE
|t LONG
|a FF.L /527248
|b 10052918
|c 09/01/2018 09:46:36 AM
|d 2022-07-08 13:15:00.0
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